ON ABSTRACT ART

Articles in grey not included

2014

• Popova’s Force Constructions of 1921

2012

• The Purge of Modern Trends, Journal of InCoRM Vol 3, 2012

2011

• “Light Painting”, with Caroline Wallis, Journal of InCoRM, Vol. 2, 2011
• Malevich’s Suprematist Palette – “Colour is Light”, Journal of InCoRM Vol. 2, 2011

2010

• Beyond the Horizon – Coherent Geometric Systems in Rodchenko’s Painting. With Caroline Wallis

The Structurist, University of Saskatchewan, No. 49-50, 2009-2010

• Report . Drawing Conclusions from Scientific Analyses, Journal of InCoRM Vol. 1, 2010
• The Interaction of Scientific and Art Historical Investigations into Works of Art, with Laurette Thomas and Ilenia Cassan, Journal of InCoRM, Vol. 1, Nos. 2-3

2009

• Journey in Space-Time in the Vehicle of Destiny, with Caroline Wallis, in Victory Over the Sun
• Jean Metzinger and Liubov Popova’s Cubist “Figures”, Journal of InCoRM Vol. 1 No. 1, 2009
• A Suprematist Painting by Ivan Kliun, with Erhard Jägers, Journal of InCoRM Vol 1, 2009

2008

• An Imaginary Trialogue on the Nature of Nature with Klee, Kupka and Henri Bergson, The Structurist, University of Saskatchewan, Saskatoon, No. 47-48, 2008

2007

• Journey in Space-Time in the Vehicle of Destiny. With Caroline Wallis. F. R. David – The “As Yel…” issue. Will Holder & Falke Pisano, Editors. Amsterdam, 2007, 65-90.

2006

• Art as Sensation: Four Painters, Philosophy Now, No. 57, London, 2006
• An Imaginary Dialogue Between Kandinsky and Klee on Abstract Art and Nature, The Structurist, University of Saskatchewan, Saskatoon, No. 45-46, 2006

2005

• Why Abstract Painting Isn’t Music, Philosophy Now, No. 50, London, 2005

2004

• An Imaginary Trialogue on Abstract Art: Kandinsky, Kupka, and Mondrian in Conversation, The Structurist, University of Saskatchewan, Saskatoon, No. 43-44, 2004

2000

• Frank Kupka: Art and Science at the Sources of Creation, The Structurist, University of Saskatchewan, Saskatoon, No. 39/40, 1999/2000

1998

• The Cognitive Line in Russian Avant-Garde Art, Leonardo, San Francisco, Vol. 31, No. 1 (The MIT Press), 1998

1996

• The Sound of Suprematism, Slavonica. The Scottish Slavonic Review, Vol. 2, No. 2 1995/1996
• “The Machine is no More than a Brush” – Morphology of Art and the Machine in Russian Avant-Garde Theory and Practice, The Structurist, University of Saskatchewan, No. 35-36, 1995-1996

1995

• The Idea of Construction as the Creative Principle in Russian Avant-Garde Art, Leonardo, Vol 28, No. 3, San Francisco (The MIT Press), 1995

1994

• Russian Avant-Garde Art and the New Society, Revolutionary Russia, Vol 7 No.1, London, 1994
• The Science of Correspondences in Russian Avant-Garde Poetry and Painting, Languages of design, Vol.2 No.2, Aug, San Francisco

1993

• Malevich and European and Russian Formalism, PRO 9, Geldrop, The Netherlands

1992

• Proun: The Interchange Station of Suprematism and Constructivism, The Structurist, University of Saskatchewan, Saskatoon, Number 31/32, 1991 /92